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Taylor Swift We Re Never Getting Back Together

Taylor Swift We Re Never Getting Back Together

2012 single by Taylor Swift

"Nosotros Are Never Ever Getting Back Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Single by Taylor Swift
from the album Red
Released August 13, 2012 (2012-08-thirteen)
Studio
Genre
Length 3:12
Label Large Machine
Songwriter(s)
Producer(s)
  • Max Martin
  • Shellback
  • Taylor Swift [1]
Taylor Swift singles chronology
"Both of United states of america"
(2012) 		"We Are Never Ever Getting Dorsum Together"
(2012) 		"Begin Again"
(2012)
Music video
"We Are Never E'er Getting Back Together" on YouTube

"We Are Never Ever Getting Back Together" is a vocal by American singer-songwriter Taylor Swift, taken from her fourth studio album, Cherry-red (2012). Information technology was released for digital download and to U.S. pop radio every bit the lead unmarried from Reddish on August 13, 2012, by Large Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-pop and popular stone vocal, "We Are Never E'er Getting Dorsum Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word bridge. Its lyrics limited Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. country radio on August 21, 2012.

Music critics praised the runway for its tricky melody and radio-friendly audio, though some described its lyrics equally subpar for Swift's songwriting abilities. The song appeared in year-end lists by Rolling Stone , Time , and The Village Phonation . "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top v in Australia, Ireland, Israel, Nippon, and the U.K. On the U.S. Billboard Hot 100, the unmarried debuted at number 72 and rose to number ane the following calendar week, registering one of the biggest single-calendar week jumps in chart history. The single spent a record-breaking nine consecutive weeks topping the Hot State Songs chart, and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S.

The music video for the song was released on August 30, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Award for Tiptop Country Song, a Grammy Award nomination for Record of the Yr, a CMT Music Honour nomination for Best Music Video, and a People's Option Award nomination for Favorite Song. Swift included the vocal on the ready lists of three of her world tours: the Red Tour (2013–14), the 1989 World Tour (2015), and Reputation Stadium Bout (2018). A re-recorded version of the song is featured on Ruby-red (Taylor's Version) , Swift's 2021 re-recording of her 2012 album.

Background and release [ edit ]

After writing Speak At present (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Scarlet . Thus, she called Max Martin and Shellback, ii songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "Nosotros Are Never Ever Getting Dorsum Together" shortly after a friend of Swift'south ex-swain walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "suspension upwardly, go dorsum together, suspension up, get back together, just, ugh, the worst". When Martin suggested that they write well-nigh the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed rapidly afterwards. She described the process as i of the about humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking almost breakups tin be heard before the terminal chorus. [2]

The single was the pb single from Red. [3] Swift premiered the single on August 13, 2012, during a live chat on Google+ [four] with the song released on Google Play that day [v] for digital download and to iTunes and Amazon.com the side by side 24-hour interval, Baronial fourteen. [6] [7] A lyric video also premiered on Swift'due south official Vevo that same day. [8] The song was released to Adult Contemporary radio stations on August 13, 2012 [9] and to mainstream radio stations the adjacent day. [10] The song was released to land radio on August 21, 2012. [11] The music video for the song premiered on August thirty, 2012. [12] A limited edition individually numbered CD single was released to Swift'south official shop and Amazon.com on September 4, 2012. The limited edition CD single was packaged with a "Nosotros Are Never Always Getting Back Together" T-shirt and backpack. [13] The CD single was also bachelor for individual purchase. [14] The CD unmarried was released exclusively to US Walmart stores the same day. [xv]

Composition and lyrics [ edit ]

The three-minute-and-twelve-second song [5] features electronic heavy product accompanied to acoustic guitars, a banjo, and a pop music vocal styling, a musical transition for Swift. [16] It was written in the key of G Major with a common time signature and a slow tempo of eighty-half dozen beats per infinitesimal, with Swift's vocals spanning one octave and five notes, from Giii to Ev. [17] The track features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic drum trounce. The land radio release featured a different instrumental system. The alternating mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums. [xviii] The song was written past Swift, along with Martin and Shellback. [18] [19] The lyrics discuss Swift'south frustration towards a onetime male lover who wants to rekindle their relationship. Jonathan Keefe of Slant Magazine describes information technology as a bubblegum pop number [twenty] [21] while AllMusic categorized the song nether the dance-pop genre. [22] James Lancho, reviewing the album Red chosen the song "sassy pop-stone in the mould of Katy Perry", [23] and Marc Hogan of Spin accounted the single "saucy electro-pop". [24] The New York Times dubbed it a "snarky electro-folk tune". [25]

Disquisitional reception [ edit ]

Professional ratings
Review scores
Source Rating
Billboard four.5/v [26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Hamlet Voice felt that the song, while "skilful", was "not Swift at her best" and speculated that the decision to release information technology as a lead single was made for commercial reasons: "I doubt 'Never Ever' is even close to existence the best song on Red; it's a teaser, an indication to her fans of what's coming up. That sounds like commercial adding of the worst kind, merely I don't think information technology is. Swift's connection with her audience is possibly more important than her connection with her boyfriends. And in that location is one vivid impact: the spoken bit that comes after the heart viii." [xxx] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly tricky hook". [18] While describing the song as "joyous", he still expressed concern that the song's "juvenile sensibilities" marked a regression following Swift's work on Speak Now. [18] Jody Rosen of Rolling Stone noted that the song's "hooks, plural, have a zing that's more Stockholm than Nashville. Only it'south unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-daughter patois. And this bit – "I'm just, I mean, this is exhausting. Like, we are never getting back together. Like, ever" – might exist the nearly sublime spoken-word interlude in pop since Barry White died." [29]

Marah Eakin of The A.V. Club commented on "what a good song it is": "With its thumping kicking drum, clipped syncopation, and mildly snarky lyrics, information technology's a teen dream in the vein of Swift's other sing-along jams like "Love Story" or "You Belong with Me." [31] Kevin Coyne of Country Universe gave the song a declining D grade, calling it a "huge pace backward". [32] James Montgomery of MTV felt the "fantastic" song may "represent a turning point in her career ... Swift no longer has whatsoever interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to dominate radio ... all shiny, silverish guitars and walloping, whomping choruses". [33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described information technology as "one of the catchiest tunes she's e'er penned". [34] Jonathan Keefe of Slant Mag described "the melodic claw" every bit the song's best attribute but criticized Swift'south "stilted phrasing". He described her vocal performance as a "consummate misfire", pointing out that her vocalization was at its "most unpleasant and nasal". However, Keefe warned that information technology was "premature" to say the "total-on pop" song "signals anything more than a temporary breakup". [xx] David Malitz of The Washington Mail service found the song immature and remarked, "the chorus is catchy but if this is representative of what awaits on Red, information technology's hard to be besides excited". [35] Glenn Gamboa of Newsday described it as "anthemic in a slick pop way, rather than her usual modernistic country manner ... Function of T. Swizzle's charm is the way she makes her songs audio genuine and conversational and 'Never E'er' is no exception". [36] Billy Dukes of Taste of State stated that "[Swift] captures the acrimony of young honey gone wrong better than anyone since, well…[Taylor] Swift" and that the song'due south melody is "hard to embrace speedily." [37] However, Camille Mann of CBS News considered the vocal to exist "catchy". [38]

"We Are Never Always Getting Back Together" featured on 2012 year-end lists by Rolling Rock (2d), [39] Time (fourth), [forty] The Guardian (fifth), [41] The Village Voice 's Pazz & Jop critics' poll (6th), [42] PopMatters (11th), [43] NME (24th), [44] and Upshot (40th). [45] The single was named the 169th best song of 2010–2014 on Pitchfork 's "The 200 All-time Tracks of the Decade So Far (2010-2014)" list. [46] It too received a Grammy nomination for Record of the Year for the 2013 Grammy Awards. [47] In 2019, Stereogum ranked the song as the 71st all-time song of the 2010s. [48] Rolling Stone ranked the song equally the thirteenth-best female person country song of the 2000s and 2010s. [49] The Tampa Bay Times ranked it fourth on their listing of the best 2010s pop songs. [50]

Accolades [ edit ]

Yr Organization Award/work Upshot Ref
2012 Guinness World Records Fastest Selling Unmarried in Digital History Won [51]
2013 Academy of State Music Awards Best Music Video Nominated [52]
Billboard Music Awards Peak Streaming Vocal (Video) Nominated [53]
Peak State Song Won
BMI Awards Honor-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Tape of the Year Nominated [56]
MTV Video Music Awards Japan Best Female Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Twelvemonth Nominated [58]
Myx Music Award Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Song Nominated [lx]
Argentina Nickelodeon Kids' Choice Awards Favorite International Song Nominated [61]
People'due south Choice Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Break Up Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Single of the Year Nominated
Teen Choice Awards Pick Break-Up Song Nominated [66]
Choice Land Vocal Won
MTV Millennial Awards Hit Chicle del Año (Catchiest Hitting of the Year) Won [67]
Hito Music Awards Best Western Song Won [68]
2014 World Music Awards World'southward All-time Vocal Won [69]
Earth's Best Video Nominated
ASCAP Awards Nigh Performed Song Won [lxx]
BMI Pop Awards Award-Winning Vocal Won [71]

Commercial performance [ edit ]

In the U.South., "We Are Never Always Getting Back Together" debuted at number 72 on the Billboard Hot 100 chart week ending Baronial 25, 2012, based on two days of airplay. [72] It rose to number 1 the post-obit week, registering one of the biggest unmarried-week jumps in chart history. [73] Giving Swift her first Hot 100 number ane, it made Swift the country artist with the well-nigh top-ten chart entries (11, tying with Kenny Rogers). [74] Information technology spent two sequent weeks at number one [75] and was the first country vocal to spend iii or more weeks at number 1 after Kenny Rogers'south "Lady" (1980). [76] The single stayed in the tiptop ten for thirteen non-sequent weeks. [77] On the Radio Songs nautical chart, "We Are Never Always Getting Back Together" entered at number 25, the highest debut for a vocal by a female country creative person. [78] It peaked at number iii for three not-consecutive weeks, giving Swift her fourth top-ten entry. [79] On the Hot Digital Songs nautical chart, "We Are Never Ever Getting Back Together" debuted at number one with offset-calendar week sales of 623,000 digital copies in the calendar week catastrophe September 1, 2012, setting a record for the fastest-selling digital single by a female person artist in Billboard nautical chart history. [annotation 1]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The unmarried debuted at number 13 on the Hot Country Songs chart week ending September 1, 2012, based on airplay alone. [82] Afterward Billboard changed the methodology for the chart, incorporating digital sales and streaming into chart rankings in addition to airplay, "Nosotros Are Never Ever Getting Dorsum Together" ascended to number 1 for the chart dated Oct twenty, 2012, giving Swift her seventh Hot Country Songs number one. [83] This prompted manufacture fence over the status of Swift as a country artist, given that "We Are Never Ever Getting Back Together" received lukewarm reception at country radio and never reached the peak ten of the Country Airplay chart, and was more favorably received at pop radio. [84] It remained on the acme spot of the Hot Country Songs for nine consecutive weeks, breaking the eight consecutive weeks record of Connie Smith'due south "Once a Day" (1965) for the longest unbroken run at number one for a female creative person. [85] The song spent a total of ten weeks at number i, [86] a career best for Swift and a record for the longest-run at number one for a female person creative person. [note 2]

"Nosotros Are Never E'er Getting Dorsum Together" peaked within the top ten of Billboard airplay charts including Adult Gimmicky, where it reached number ten for vii not-consecutive weeks, [89] Adult Height twoscore, where it reached number seven, [90] and Mainstream Top 40, where it peaked at number two for four not-consecutive weeks. [91] Roughly two months subsequently its release, the single surpassed two one thousand thousand U.South. digital sales by September 2012, making Swift the starting time country artist 2 have six digital singles each sell over ii 1000000 copies. [92] By July 2019, "We Are Never Ever Getting Dorsum Together" had sold 4.1 one thousand thousand copies in the U.South. [93] The Recording Industry Clan of America (RIAA) certified the single vi times platinum, cogent six 1000000 units based on sales and streaming. [94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift's 2d number one following "Today Was a Fairytale" (2010). [95] Information technology was certified golden by Music Canada (MC). [96]

Exterior Northward America, "We Are Never Ever Getting Dorsum Together" peaked atop the record chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ). [97] The single peaked within the top ten on charts in Israel (number two), [98] Australia (number three), [99] Ireland (number iv), [100] the U.Thousand. (number four), [101] Norway (number six), [102] Hungary (number nine), [103] and Spain (number 9). [104] It peaked at number eight on Euro Digital Song Sales, a Billboard chart monitoring digital singles beyond Europe. [105] The track was certified platinum in Sweden and the U.Thousand., [106] [107] and v times platinum in Australia. [108] By October 2014, the single had sold over 616,000 digital copies in the U.1000. [109] In Japan, "We Are Never Ever Getting Dorsum Together" was a chart success, peaking at number two on the Japan Hot 100 and remained on the nautical chart until 2015, three years after its release. [110] The Recording Industry Clan of Nippon (RIAJ) awarded the unmarried a "1000000" certification for selling over one million digital copies. [111]

Music video [ edit ]

Background and release [ edit ]

A music video for the song premiered on CMT, MTV and TeenNick on August 30, 2012, at 7:49 pm Eastern fourth dimension, and afterwards on MTV.com, CMT.com, and VH1.com the same mean solar day at viii:00 pm Eastern fourth dimension. The video is directed past Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours". [12] The video was shot like a popular-up book using a Sony F65 CineAlta photographic camera with Leica 25 mm Summilux-C lens in 1 continuous shot with no editing, and features 5 sets and Swift in every bit many outfits. [112] It is as well the first music video to exist featured in 4K resolution. [113] According to Swift, she wanted the video to be as "quirky equally the song sounds" and stated that "There's just knitting everywhere; there's just random woodland creatures popping up." [38] Prior to the video's release, a 14-second preview was released past CMT on their official YouTube on Baronial 30, 2012. [114] As of September 2021, it has over 674 million views on YouTube. [115]

Synopsis [ edit ]

The video, which is done as one continuous shot, [116] begins with Swift in colorful pajamas recounting the events of her off and on again human relationship with her ex-boyfriend (played past Noah Mills). The video so segues into Swift going into her living room where her ring is dressed upward in animal costumes and Swift belts out the chorus of the song. The video and so goes to a TV where Swift says "Like, ever." then to the dining room where we come across she returns to recounting the events of her relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs upwards on him and he walks off screen into the nightclub. It and then goes to the ii in a truck having an statement so to them having a stroll in the park. Swift and then runs off and nosotros see her on the phone telling the person on the other line how she and her ex are non getting back together and her frustration of their entire relationship. The video then segues dorsum to Swift's living room where a party is going on and her ex shows up unannounced trying to woo her back and she slams the door in his confront. The video ends with Swift on her window ledge where she was at the beginning of the video, singing the terminal line of the song. [117]

Reception [ edit ]

James Montgomery of MTV praised the video stating that the video is "truly a treat to watch". [118] Jim Farber of the New York Daily News annotate on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base." [119] Carl Williott of Idolator commented on the video'due south content and stated "what more than could you ask for in a visual for a #1 popular blast?" [120] Rolling Stone called it "flinging strong-willed sass". [121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in animal costumes in between relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas equally she shrugs off her not-and so-nice ex-swain, a scruffy, seemingly older musician-type with a penchant for drama." [122]

Live performances [ edit ]

Swift performing "We Are Never Ever Getting Back Together" on the Red Tour in 2013

Swift performed the song alive for the first time at the 2012 MTV Video Music Awards on September half-dozen, 2012, which was held at the Staples Center in Los Angeles. [12] [123] Swift was the last performance of the dark and, wearing a ruby-red and white striped shirt and black shorts, began her performance in an area resembling a recording studio before taking the stage forth with her back-up singers, dancers and ring (in fauna costumes) took the stage. [124] Swift too performed the vocal alive at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on TV Xuxa and during a concert in Rio de Janeiro on September 13, 2012. [125] [126]

Swift performed the song on the British version of The X Cistron on Oct 14, 2012. [127] She performed the song on the German language Idiot box prove Schlag Den Raab. [128] On Jan 25, 2013, Swift performed "Nosotros Are Never Ever Getting Back Together" at the Los Premios 40 Principales in Espana. [129] The next day, she performed it in Cannes, France, during the NRJ Music Awards. [130] On February ten, 2013, Swift performed the vocal at the 2013 Grammy Awards, opening the anniversary. She performs the vocal on her Crimson Tour nightly as the finale. A rock version of the vocal was performed on The 1989 Globe Bout. More than recently, the song was performed every bit a mashup with "This Is Why We Can't Have Prissy Things" equally the finale on Swift's Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June one, 2019. On December eight, she performed an acoustic version of the song at Majuscule FM'south Jingle Bong Brawl 2019 in London. [131]

Parodies [ edit ]

The song and video were parodied by teddiefilms in the fashion of Breaking Bad . The parody, called "We Are Never E'er Gonna Cook Together," was uploaded to YouTube on October 18, 2012. [132] The 22nd episode of Grey's Beefcake 'southward 10th season is titled "We Are Never Ever Getting Back Together". [133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version [134] and a music video on his YouTube channel. [135] Sky News remixed portions of speeches past David Cameron to arrive appear as though he was reciting the chorus equally promotion for their coverage of the 2014 Scotland Independence Referendum. [136]

Credits and personnel [ edit ]

Credits are adjusted from the liner notes of the CD single. [137]

Charts [ edit ]

Certifications and sales [ edit ]

Release history [ edit ]

"We Are Never Ever Getting Back Together (Taylor's Version)" [ edit ]

"We Are Never Ever Getting Back Together (Taylor's Version)"
Vocal by Taylor Swift
from the anthology Red (Taylor's Version)
Released November 12, 2021 (2021-11-12)
Genre
Length 3:xiii
Label Republic
Songwriter(due south)
Producer(s)
Lyric video
"We Are Never Ever Getting Back Together (Taylor'due south Version)" on YouTube

Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor's Version)", for her 2d re-recorded album, Cherry (Taylor'southward Version) , released on November 12, 2021, through Democracy Records. [200]

Charts [ edit ]

Run into also [ edit ]

Footnotes [ edit ]

  1. ^ The record was broken past Adele'southward 2015 single "Hello" (2015), which sold over ane.one million digital copies in its beginning week. [eighty] [81]
  2. ^ The tape was cleaved by Bebe Rexha'southward "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number one. [87] [88]

References [ edit ]

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